The Relationship Between Punk and Dada

THE RELATIONSHIP amid DADA AND PUNK It is difficult to estimate when good deal began to per make water diverse theories, straw mans and ideologies with regards to what is positive and invalidating in the world that we live in. A st fraud up and parcel of human nature has always been an individual desire to be a p art twist of the perfect world which unfortunately is mainly ablaze by individuals in power. accordingly this bore a disagreement and unfavorable judgment among minorities and has been exploding over the centuries in different forms of ethnical purports. One of the giganticest cultural trends began in Zurich and it is known as daddyism.During World War I a assembly of individuals created atomic number 91 in reaction to what they perceived to be negative and opposite of the set that they believed in. They showed their protest against nationalist, colonialist interest and bourgeois in sundry(a) forms of controversial art. The newborn style definitely piece i ts followers in suffocated by war society and even etched in history. Nevertheless, mid-seventies showed us that public address systemism was non forgotten as it inspired a new generation of people to ex military press their feelings with regards to what is against their good deal of perfection.This created a new cultural movement known as stumblebum which is characterised by a critique to a governmental dodge and society that was framed in a specific pattern. This essay is an effort to present relations in the midst of dadaism and crummy by analysing and comparing various art forms of political theory they believed in. Therefore the part of this work is foc habitd on the backgrounds and origins of some(prenominal) movements it tramp to explain motives and ideas of their existence.Moreover, it will show very important relationship which strongly connects both trends in a form of spiritual protest by using and comparing artworks from both epochs Hannah Hochs Cut with th e Kitchen Knife finished the plump Weimar Beer-Belly heathenish Epoch in Germany1919 comp bed to The Beatles-Sgt. rain bucketss lonesome Hearts decree Band1968, by puppet Blake and Jann Haworth. Also, the controversial CD cover created by Jamie Reids God Save the queer 1977 comp bed to The invention Critic 1919 by Raoul Ha drug abusemann. The analysis of both comparisons will be a detai lead explanation of those matters.First of all, Dada was not just a serial of art-historical related events which took place amongst 1916 and 1923. Dada definitely was an emotional, social and political reaction created against the horror of World War I. With the collapse of pre 1914 social values the Dadaists acted in solution with a strong weapon as it tangled a disagreement, defiance with ironic, anarchistic and frequently nihilistic gestures. However, they excessively evolved attitudes and techniques that take a shit become a priority to our aesthetical sensibility.The discovery of automatism in the arts, the use of random elements, and the new definition of art which is not limited by any specific content or material is a great concept introduced by the Dadaists. Moreover, the art is situational as there is a entrust of confrontation between spectator and object which is frequently associated with lean and chaos. Therefore it send away be said that Dada as a conversion bore a historical responsibility for correcting the world problems for all clipping and a movement to an honourable place in the history of unful modify humanistic visions.From the aesthetic point of view punk rocker has its origins in Dadaism. However, this was a cultural mutiny which was mainly associated with a verbal protest done the music. This involved strong offensive expression of disagreement with the whole system and alienation. Nevertheless apart from a very controversial song lyrics Punk list created different trends than others and innovated a new style in art known as P unk visual art. This new movement did not involve ordinary and predictable paintings.It is known as intentional infringement, such as the application of letters cut out from magazines and newspapers and the use of black and white in early Punk rock art work. The reason for that was the cost of productions lout zins in colour, however, in more pricey production there was a use of yellow and fluorescent solicit contrasted with black. The message that Dada and Punk tried to achieve done their work in the context of desired reality is very sympathetic as both of them bore from a social outburst.Punk was a form of artistic anarchy against system control and specific pattern of society, whereas Dada was an Anti-War movement. However, very interesting is the fact that they were relatively unrelated and occurred around 50 years apart. Although the vocalist of a very controversial punk rock band raise Pistols, Johnny Rotten said he had neer heard about Dada there can be found the sam e themes of inspirations as in Dadaism. Therefore assuming that the group Sex Pistols did not model on Dadaism and any other movements or trends, this might be associated with a human nature. The nature, that does not like o be manipulated, controlled or skipped as a microscopic minority. Fig. 1 The inauguration 1917, Marcel Duchamp According to Griel Marcus, the author of Lipstick Traces book, both movements are entirely nihilistic and propagating belief in nothing and the wish to become nothing. Punk was against everything and at the same time finding its equilibrium in nihilism. This was clearly exposed by Sex Pistols in song Pretty idle which involves the Dada cry of nothing is true everything is permitted. Moreover, freedom and fighting against the stereotypic art were the keys in Dada and Punk.Dadaists often asked What is art and in response to their rules breaking used anything they could think of for inspiration. Marcel Duchamp is a great fashion model in this point, be cause his ironic piece The Fountain 1917(Fig. 1) which he signed R. cur, was a controversial and provocative way of using a urinal in response to that question. Duchamps work not only showed groundbreaking, but it undefendable peoples eyes that art is not only incorrupt and traditional. It is an awareness of what art is and could be. Dadaism influenced Punk in reflection to their absurdity.Punk artists intentional cd covers that reflected the idea of breaking the traditional rules by being observational with lists and text to express political and social views. Photomontage was highly used by both, Dada and Punk. However, it was first used by a German group called Dada, and subsequently became an inspiration for Punk artists. This involved the practice of slash and pasting technique for their aims, using materials taken from cardboard, newspapers, magazines, rubbish and anything else that could be inspirational to create a collage. Fig. 3 The Beatles-Sgt. Peppers Lonely He arts Club Band1968, Peter Blake and Jann Haworth Fig. Cut with the Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany1919, Hannah Hoch The most famous work done by Hannah Hoch is Cut with the Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany1919 (Fig. 2). It shows a mixture of modernism by including a lot of machinery and high tech items of the Weimar period which engage with a modern world. These items were the pasted photographic images called from the press and taken from printed and product catalogues, magazines, newspapers and journals which she clipped together preading across the page to form this artwork. In this chaotic artwork, Hoch also shows the figures of women, as she was strongly towards fighting for their rights. A new role of women was a message in this design thence metaphorical kitchen knife in her title referred to stereotypical pattern of both women in the society and to her own artistic process. Because of uniq ueness of this artwork the later artists continued controversial reforms in design and we witnessed a creation of The Beatles-Sgt. Peppers Lonely Hearts Club Band by Peter Blake and Jann Haworth made in 1968 (Fig3. . Originally it was for the cd cover purposes however it was frequently associated with Dada design as it involved a group of people that the members of the band would like to see as their imaginary audience. This shows that there is a reference to the amount of components that Hochs used in her design and controversy which also characterised the Beatles cover, as Jesus and Hitler were intended to appear in John Lennons vision. Another great example of Dadaism in Punk was created by Jamie Reids God Save the queen regnant 1977 (Fig. 4), the cd cover for Sex Pistols shocked the nation.In the result, this controversial, shocking design together with the lyrics led the BBC and the Independent Broadcasting Authority to not play the song. Reid has offended the image of the Que en Elizabeth II by playing with her portrait and national hymn during Queen Elizabeth IIs Silver Jubilee in 1977. This censorship did not stop Great Britain from listening to it and made the song to be act one of playlist. In addition, God Save the Queen played a massive role in a punk rock movement. Reids work can be compared to The Art Critic 1919 by Raoul Hausemann (Fig. ) because of the similarities that can be seen in their designs. They both depict defaced images in the highness of the Queen and the oversized figure with oversized head which is often said to be Housemanns friend George Grosz. There is a use of reachable resources which are sliding strong, wild and free personal messages. The irony behind this collage shows the character holding outsized Venus pencil, a shoe pasted to his forehead and a German banknote situated near his neck. On the right hand site Fig. 4 God Save the Queen 1977, Jamie Reid we can see his business card showing his silhouette filled with a news paper print.In addition, the background contains Rauls poem which was randomly chosen informing public performances. Those components show self references as many Dada artists included in their photomontages and the use of materials surrounding them. The Art Critic is also a provocative and controversial design as the eyes and embouchure are full of irony because we dont know whose are the eyes he sees or whose words he speaks. Knowing that Dada worked before Punk, it can be seen that type and image juxtapositions influenced Reid to follow this direction.Rick Poynor in his No More Rules Graphic Design and Postmodernism book describes Reids design by Fig. 5 The Art Critic1919, Raol Hausemann saying that rough, torn banding across Queens face and mouth form voids by a cut-up lettering to show the title and the band name on a cover which he called archetype of a punk rock band. In addition, those are also examples of a Dada photomontage and a Punk photomontage which both used words and images to express verbal and visual meanings. In conclusion, the aim of this essay was to prove the relationship between Dada and Punk through various forms of artwork.They both were fighting against every the War or the rules of the system. In addition, Dada and Punk were characterised by similar ideology which was very controversial in terms of stereotypical vision of art. The violation of traditional rules and twisting the popular image of art had an allude on future sub glosss, in this case Punk. Also, the creation of photomontage technique is shown through the comparisons of work from Dada period and then in Punk, which was born save in the 20th century. They were the evidence of controversy and provocation addressed by personal messages behind them.Although, there is 50 years of difference in between the movements, it is fair to say that both of them greatly affected our culture and inspired the future generations. References Raoul Hausmann,The Art Critic. 2010. online. Last accessed 20 whitethorn 2012 at http//iheartartblog. blogspot. co. uk/2010/05/raoul-hausmann-art-critic. html Audio Raoul Hausmann The Art Critic 1919-1920. 2011. online. Last accessed 20 whitethorn 2012 at http//www. moma. org/explore/multimedia/audios/29/707 Chapter 12 Words and Images. 2009. online. 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