Modern Architecture Essay -- Modernism, Postmodernism

As some critics contended, postmodernism even offs a break with the modernist touch that computer architecture should be technologically rational, austere and functional, discuss the ways in which one postmodern architect has developed strategies which overcome these tendencies.Juxtaposition is seen in the midst of the characteristics of early 20th century modern architecture and the artistic endeavours of postmodernism that followed. To represent the Less is More (R.Venturi, 1966, pg16) notion the modernist tendencies had adopted, Robert Venturi built a Ghost structure to imply architecture had no longer make an art row and was merely just a spectator (Architecturerevived, 2011) in society. This essay leave alone discuss ways in which the architect Robert Venturi adopts methods to overcome these tendencies that architecture has upset heart and soul and ways in which he attempts to remove himself with any relate with the post-modernist dejection that he is viewed in having .Modern Architects saw their role as reformers, (R.Venturi, 1966, pg16) and tended to break with tradition and start anew. Considering it was a new revolutionary movement they tended to ignore potential problems and focused on the new modern advancements available.A modernist tendency was to build individually however Venturi claimed that a building derives meaning from its context (Out Of the Ordinary, 2002) and evidently each individual location requires a contrastive form of architectural style to represent this. In Venturis book complexness and Contradiction he quotes familiar things seen in unfamiliar context bend perceptually new as well as old (R.Venturi, 1966, pg43) here he perhaps means in order for art to become worthy of aesthetic appreciation the v... ...ical architecture in which he olfactory modality shouldnt be forgotten but instead should be respect and inspire future movements. Despite modernism striping what Venturi believed was the art from architecture he f ought to overcome these tendencies are drew upon relevant historic features and characterisations and utilise them liberally to his design, in accordance to their context. Nevertheless he understood that intent for the user was significant and not to exclude social problems. He undertook the modernist image of advanced ways to construct and recognised and understood the developing society, to that degree he chose not to ignore historic references and applied them in a system of layers within his designs to accommodate for the advanced civilization whilst electing to apply asceticism for both a functional and visual experience.