An Analysis of Neil Young’s Pono Music Player Essay -- Pono Music Play

IntroductionThe researchers objective in this paper is to address the issue of the compromise that has been occurring throughout the years, wherein music manufacturers are forced to present material to their sense of hearing in simplified, compressed forms. In particular, the researcher would like to dissect Neil Youngs most received innovation the Pono music player, and analyze whether or not its attempts at aiding this audiophiliac plight poses potential success. The researcher also aims to look at whether or not the general public presents a need for this type of product, seeing as there are numerous portable music players already kind on the market.Over the course of several decades, the engineers oral sex has proven adamant in its attempts at producing and delivering high-fidelity music to the general public. Canadian musician, Neil Young identifies with this statement as he reveals his latest increment to the gallery of high-resolution music players the Pono music pla yer. With numerous products containing a alike concept available in the market, Young and the investors of this project are face with the question of whether or not there is a need for some other device of this nature, and whether or not the general public recognizes the same musical comedy dilemma of having to listen compromised-quality audio. Pono takes its name from the Hawaiian term for righteous or goodness. In a speech Canadian singer/song-writer, Neil Young gave during the 2014 entropy By Southwest Festival in Texas, he explains that Pono is potentially a great way to serve music to an artists audience in the best quality possible the quality in which producer wishes for it to be heard.The body of literature on management of technology and inno... ... Mar. 2014. Web. 19 Apr. 2014..Baldwin, Y. C. The Architecture of Platforms A Unified View. In Platforms, Marketsand Innovation. Cheltenham, UK Edward Elgar Limited, 2009. Print.Den Uijl, Simon, Henk J. de Vries, and Deniz Bayramoglu. The rise of MP3 as themarket standard how compressed audio files became the dominant musicformat. transnational Journal of IT Standards and StandardizationResearch 11.1 (2013) 1+.J Josephson, I. NPD Music category in Review. J. (2005) In Proceedings of the NARM. n.pag. 04 Apr. 2005. Web.Langlois, R.N., and P.L. Robertson. Networks and Innovation in a modular SystemLessons from the Microcomputer and Stereo Component Industries. Research Policy, 21, 297-313. Doi10.1016/00487333(92)90030-8., 1992. Web.