Cinemas of Hollywood and the Arab World , it is evident that she chooses to define five unclouded categories in her book in which the portrayal of women can be observed to occur in Arab motion pictures According to Lina Khatib , the first is the shape of women-as-idealized-nation , the second is the approach in which women s appropriate sexual do is regarded to constitute the crucial distinction between the nation and its others , the deuce-ace base is when women be used as a emblematical legal instrument vis-a-vis Islamic fundamentalism , the fourth is the theatrical performance of modern womanhood /nation through women who are politically active and the culture is the approach that portrays that the representation of active women does non imply that they are central protagonists (Khatib , 2006If one was to analyz e the movie Caramel in light of these five categories , one cannot foster only when aspect that Nadine Labaki has attempted to elaborate upon the women who are categorised in Lina Khatib s third category .
One cannot help but notice that the women shown in Nadine Labaki s Caramel are struggling precariously between the obligations that they are under as a closure of the moral determine of their decree and the hopes that they hold in their touchwood . We can infer that the women are either in a state of desire for something that they desperately seek , or are in a state of regret over an performance that th ey take for performed . provided , in both! cases , they are choosing to go against the norms that their society dictates . Because of these norms , they are stranded in a position where they are incapable(p) of raising their voices to make any objections and the only option that they slang is to quietly adhere to them if they desire to live lives with respect unscathed kit and caboodle CitedKhatib...If you want to get a all-encompassing essay, order it on our website:
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