"Psycho" by Alfred Hitchcock

The moving-picture show Psycho by Alfred Hitchcock proved to be the intimately suspense fueled, frightening movies of all time, however, not because of any(prenominal) damn death scenes, but because of the quaternate techniques used to present the movie itself as frightening. Techniques such as cinematography, lighting, sound and scripts increase the suspense of the film, which therefore increase the audiences fear of each and every full stop of the film. Psycho relies solely on the audience feeling the mechanical press of the increasing suspense, which in turn suck ins them scared. This use of suspense takes the dedicate of modern day blood and guts scenes, yet motionless manages to give the same terrifying effect. Alfred Hitchcocks dealledge of techniques, mixed with his unique approach to create the fear in the film, created one of histories nearly unique, frightening films ever.

Norman Bates, the main character of the film, and whom the film is based upon, is portray as the man who is, quite plainly, psycho. This is described in multiple ways, all adding to the suspense of knowing Norman, and watching and understanding him. whiz of the techniques used to depict Norman is cinematography. When Norman was in any scene, or in an image, he is usually shown alone, describing him as a shady, got something to hide sort of person.



Also, his scenes and images often include things which relate to him, and inturn make the audience think about the item being dower of Norman. The house and/or motel, for instance, are both related to Bates, and because we know that they are empty and seemingly creepy, we relate this fear to Norman. The prospect itself, a lonely area with the nearest civilization 15 kms away, makes the audience think of Norman as a creepy loner who assumes that A boys best friend...

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